February 21, 2019
In this week's edition:
• MIPTV Adds Buyer Exchange, Ups Development Focus
In the news
Netflix is creating a new production hub in Canada, leasing studio space at Cinespace Studios and Pinewood Toronto Studios. New Regency is launching a London-based division to produce TV content for the global marketplace under the banner New Regency Television International. As part of a management restructure, Wolfgang Link and Michaela Tod have been tapped as co-CEOs of the entertainment business at ProSiebenSat.1, working under CEO Max Conze. CBS Corporation released its Q4 financials, which saw revenues increase by 3 percent to $4 billion, while full-year revenues were up 6 percent to $14.5 billion.
MIPTV Adds Buyer Exchange, Ups Development Focus
By Mansha Daswani
MIPTV is now two markets in one, Laurine Garaude, director of the television division at Reed MIDEM, tells World Screen Weekly, with distribution and development as the two main pillars of the show.
“MIPTV is intent on accompanying the industry as the international business of TV is being reinvented,” Garaude says. “There is the growing importance of accessing new projects, talent and partners at a very early stage. That is the reason that we’ve expanded the role of content development at MIPTV.”
Distribution remains core to the event, Garaude stresses, and in line with that, Reed MIDEM is introducing the MIP Buyers Exchange, “a new program that is curated, providing exhibitors with supplementary pre-scheduled one-on-one meetings. It will be through an online platform. It’s being met with great enthusiasm by exhibitors. We have over 150 exhibitors signed up to-date.”
The MIPDrama Buyers Summit is also returning for a new edition on the Sunday before MIPTV’s official start. Some 450 leading drama buyers and commissioners are expected to participate for a day-long screening of works in progress. “We are increasing the number of showcases—last year it was six, this year we will have ten.” The summit will also showcase presentations on drama trends as buyers and commissioners navigate an increasingly crowded scripted landscape.
In Development, a joint initiative with CANNESERIES for drama, is also back with an expanded version. In addition, MIPTV will this year include the new initiative In Development KIDS—you can find out more here from our interview with Lucy Smith—while MIPDoc will feature an In Development strand for the factual business. In Development Drama, meanwhile, has been moved from the Gare Maritime into the Palais and expanded from two days to four, running throughout MIPTV, “with more pitches, more networking events and a great program in terms of creative masterclasses and showcases. We received close to 400 projects for the pitches this year.”
Among the showrunners participating in In Development Drama this year is Ilene Chaiken. There will also be creative masterclasses with Endemol Shine Group’s Lars Blomgren and acclaimed comedy producer Ash Atalla.
“The whole In Development area is being designed to allow people to meet through pre-arranged matchmaking as well as networking in an area that is conducive to that,” Garaude explains.
Throughout MIPTV, MIPFormats and MIPDoc there will be a focus on French creativity as part of the Country of Honour strand. “We’re working very closely with the French industry here, in partnership with TVFI and other producer associations. We’ll have top keynotes from France, and some of the hottest new talent.”
Want to know what buyers are
paying for acquisitions?
The newly updated Program Price Guides are the most comprehensive guides available on what broadcasters are paying for acquisitions across Europe, North America, the Middle East, Africa, Latin America and the Asia Pacific.
What’s Included in the 2019-20 Edition:
- Price Ranges: Updated high and low prices for U.S. and European dramas and comedies, Asian dramas, telenovelas and soaps, TV movies, independent feature films, animated and live-action series for preschoolers and kids, tween shows, doc specials and series, lifestyle fare and factual entertainment.
- Analysis: Determining Prices: A look at how the price ranges are determined, and general trends in how broadcasters are valuing shows today.
- Analysis: Hot & Cold Spots: Acquisition trends in each genre, including insights from broadcasters and distributors.
- Analysis: Dealing with OTTs: Perspectives on working with nonlinear platforms and their evolving business models.
World Screen surveyed a range of sellers in a variety of markets, across several genres, in order to determine estimated high and low prices for acquired programming. These guides offer up price ranges in Argentina, Australia, Austria, Benelux, Brazil, Canada, China, Czech Republic, Egypt, France, Germany, Hungary, Iberia, India, Indonesia, Israel, Italy, Japan, Malaysia, Mexico, Pan-Arab, Pan-Asia, Pan-Latin America, Philippines, Poland, Russia, Scandinavia, Singapore, South Africa, South Korea, Thailand, Turkey, United Arab Emirates, U.K., U.S.
Learn more about World Screen's 2019-20 Program Price Guides here.
Have a press
release you want to submit? Please e-mail Kristin Brzoznowski and Mansha Daswani.
For advertising opportunities, contact Ricardo Guise.
This email was sent to you by World Screen.
To ensure that it is not labeled as spam, please add firstname.lastname@example.org to your address book. If you would like to unsubscribe
from World Screen Weekly, please go
If you were forwarded World Screen Weekly and want your own copy, or would like to sign up for any of our other newsletters, please click here.
For other subscription questions, please contact Dana Mattison.
Copyright © 2019 World Screen. 1123 Broadway, Suite 1207, New York, NY 10010, U.S.A.
World Screen Weekly is a World Screen publication.
No part of World Screen Weekly can be used, reprinted, copied or stored in any medium without the publisher's authorization.